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AI and post-CGI image-making

Image direction across fashion films, brand campaigns, generated stills and live environments.

Artificial Stillness

A reclining figure at night, framed by dark foliage and distant amber lights.
After Dusk · AI image study
Black heeled boots and a hand reflected in water, shown from a low angle in the generated image.
Phase Shift · AI image study

Independent still-image studies in posture, light and surface. A night portrait, a reflected silhouette and a close face in pink light establish three distinct image directions.

Higgsfield · Image-making interview ↗
A close portrait in pink light, paired with two smaller portraits in the original white composition.
Phase Shift · Portrait study

Maison Margiela / Nighthawk

Film excerpt · Live action, archive and selected generated imagery

Working with Couturier John Galliano’s references, Sasha directed a film that moves between the collection, its making and performance. Generated sequences filled gaps in the archive, extending the film’s existing light, texture and atmosphere.

Runway · Film development ↗

Sonos

Generated football imagery developed around the campaign’s atmosphere, movement and tone. The excerpt shows how that material sits within the wider commercial, with image-making directed for a specific brand and edit.

Runway · Creative-practice interview ↗

Sam Smith / Live visuals

Red and violet stage imagery above a soft colour-gradient study.
Colour and movement
Stage silhouettes in white light above a pale-blue tonal study.
Light and contrast

Generated gradient animations gave the team a way to refine rhythm and movement within a compressed production schedule. Colour studies and stage documentation show the relationship between screen content and performance.

Runway · Live-image workflow ↗

Madonna / The Celebration Tour

La Isla Bonita

Generated cloud environments, shown at concert scale.

Take a Bow

Generated environments and the finished stage sequence.

Two sequences with different production methods: movement-led transformations for La Isla Bonita, and image-to-video environments for Take a Bow. Direction, selection and editing give the generated material a consistent scale and pace across the concert screens.

Runway · Tour development ↗

Dolce & Gabbana

Dolce & Gabbana: the published black-and-white composition of roses, Madonna on set and floral detail.
Selected visual development · Dolce & Gabbana

Selected AI-assisted inserts developed from backstage photographs of a practical shoot. Roses, candles and floral details extend the existing set into additional moving images, integrated into the film’s edit.

Higgsfield · Post-production ↗

Confessions on a Catwalk

Selected AI-assisted environments, lighting and transitions support the filmed exchange between Madonna and Anna Wintour. Original script and co-editing by Sasha Kasiuha. Film directed by Nuno Xico.

Available for image development, film direction and integrated post-production across campaigns, digital releases and live environments.

Discuss a project ↗